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MASOLINO da Panicale
The Annunciation syy
1425-30
Tempera on panel, 148 x 115 cm
National Gallery of Art, Washington
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MASOLINO da Panicale
Banquet of Herode (detail) sg
1435
Fresco
Fonte Battisemale, Castiglione Olona
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MASOLINO da Panicale
Crucifixion hjy
1428-30
Fresco
San Clemente, Rome
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MASOLINO da Panicale
The Evangelists and The Doctors of Church sg
1428-30
Fresco
San Clemente, Rome
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MASOLINO da Panicale
Madonna with the Child s
Wood, 95,5 x 57 cm
Alte Pinakothek, Munich
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MASOLINO da Panicale
The Philosophers of Alexandria sg
1428-30
Fresco
San Clemente, Rome
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MASOLINO da Panicale
The Philosophers of Alexandria (detail) sg
1428-30
Fresco
San Clemente, Rome
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MASOLINO da Panicale
The Martyrdom of St Catherine sg
1428-30
Fresco
San Clemente, Rome
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MASOLINO da Panicale
Saint Peter and Saint Paul (nn03)
c 1428 Oil on panel 114.5 x 54.4 cm 45 x 21 3/8 in Philadelphia Museum of Art Philadelphia PA
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MASOLINO da Panicale
Modonna of Humility
mk65
Tempera on panel
43 1/2x24 7/16in
Uffizi,
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MASOLINO da Panicale
Healing of the Cripple and Raising of Tabatha
1426-27
Fresco, 255 x 162 cm
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MASOLINO da Panicale
St Peter Preaching
1426-27
Fresco, 255 x 162 cm
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MASOLINO da Panicale
Healing of the Cripple and Raising of Tabatha
1426-27
Fresco, 255 x 162 cm
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MASOLINO da Panicale
The Temptation
1426-27
Fresco, 208 x 88 cm
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MASOLINO da Panicale
Archangel Gabriel
nn09
c.1732
tempera on wood
76x57cm
National Gallery of Art
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MASOLINO da Panicale
Temptation of Adam and Eve
mk247
c.1426,fresco,82x34.675 in Brancacci chapel,santa maria del carmine,florence,ltaly
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MASOLINO da Panicale
Madonna and Child, Saint Anne and the Angels
Madonna and Child, Saint Anne and the Angels
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MASOLINO da Panicale
The Annunciation, National Gallery of Art
The Annunciation, National Gallery of Art
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MASOLINO da Panicale
Pope Gregory the Great
between 1428(1428) and 1429(1429)
cyf
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| MASOLINO da Panicale
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Italian Early Renaissance Painter, ca.1383-1447
Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples);
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